Description

A Theater District Where

Passion, Relaxation, Culture & Youth Coexist

Daehangno is generally called a street of youth. However, it does not mean it is only frequented by young people. Daehangno is where the youthful passion of elderly artists is still tangible, where the youthful ardor of retired professors is still palpable and where the budding romance of late poets is still alive; in other words, where all of our youths can be found. The young people of today who flock here in pursuit of new cultures naturally mingle with those who were young here half a century ago. It is this generational crossroads that distinguishes Daehangno from other young streets in Seoul.

Daehangno: Theater District in Seoul describes what makes Daehangno what it is today, rather than merely listing the hundreds of small theaters that make this neighborhood unique in the world. The author conveys the history and spirit of the street, which are the secret to its dynamism and its cultural power that are hidden behind its splendid façade.

Daehangno is a treasure trove of stories. There are many important historical relics, and it also bore the turbulent periods of modern and contemporary Korean history, including the years of Japanese colonial rule. Most importantly, though, Daehangno is where young literati and artists gathered to discuss art and dream of the future. The people who breathed the air of Daehangno created not only poems and novels but also plays, movies and music, thus sharing the romance of this neighborhood with the general public.

01 Street of Culture and Art

It was the 1980s that Daehangno began to emerge as a culturally and socially significant location. Daehangno became known for its image as a street of culture, art, youth, freedom and street politics in the late 1980s.

02 Cradle of the Performing Arts

The current image of Daehangno as the street of culture and arts was created by cultural institutions and public theaters. And small theaters play a crucial role in the Korean theatrical world as they are where modern theater is developed and experimented with. Also, the area has attracted a number of major festivals with its arts and culture infrastructure. Therefore, looking at their history is like addressing the history of modern Korean theater itself.

03 Street of History and Culture

Daehangno has many historic landmarks that convey the depth and beauty of a bygone era, such as Seonggyungwan Academy, Ihwajang House, Hamchunwonji Garden Site, Mt. Naksan and Naksan Park. Also splendid private galleries and museums are distributed across the Daehangno area.

04 Story of Historical Memories

Daehangno began to be recognized as the "street of culture and arts" after the relocation of Seoul National University in 1975, and it was first officially characterized as a "street of culture and arts" in 1990 as part of its cultural policies. The cultural measures implemented for Daehangno played a crucial role in giving the area its distinct identity as a place of culture and arts.

TABLE OF CONTENTS

Preface

Daehangno at a glance

01 Street of Culture and Art

Geographical and Cultural Location of Daehangno

A Mecca of Culture and Art

02 Cradle of the Performing Arts

Cultural Institutions and Public Theaters

Arts Council Korea (ARKO)

HanPAC

The ARKO Arts Theater

Daehangno Arts Theater

Private Small Theaters

Samtoh Blue Bird Theater

Batangol Theater

Yeonwoo Theater
Daehangno Theater

Sungjwa Theater and Aroongguji Theater

Dongsoong Art Center

Hakchon Theater

Theater Laboratory Hyehwa-dong 1st Number

Performing Arts Festivals

Seoul Theater Festival

Seoul Performing Arts Festival (SPAF)

ASSITEJ Festival (AssiFe)

03 Street of History and Culture

Historic Landmarks

Seonggyungwan Academy

Ihwajang House

Hamchunwonji (Hamchun Garden Site)

Mt. Naksan and Naksan Park

Museums and Galleries

ARKO Art Center

Lock Museum

Robot Museum


Museum of Korea Straw and Plants Handicraft

04 Story of Historical Memories

Cultural Origins of Daehangno

Emergence of Small Theaters

Identity as a Street of Culture and Art

Notes

Appendix

   AUTHOR INTRODUCTION

Lee Chin A

• BA in Korean Modern Drama, Sookmyung Women's University

• Ph. D. in Theatre Critic, St. Petersburg State Academy of Theatre Arts, Russia

• Associate Professor of Department of Korean Literature, Sookmyung Women's University

Major publications:

The Truth of Masks: Innovations of Russian Directors (2008)

Contemporary Directors (2007)

Methodology and Practice of Theatre Criticism (2009)

Translations:

The Path of The Actor (2009) by M. Chekhov

An Actor Prepares (2010) by K. Stanislavsky